Microphone Polar Patterns and Other Specifications 63 Polar Patterns 63 Advantages of Each Pattern 66 Part 2: Classical Music Recording and Stereo Microphone Techniques 7
SMAART V8 SYSTEM REQUIREMENTS HOW TO
Tips on Building a Recording Truck 53 Remote Truck Acoustics 54 How to Attenuate the Outside Noises 54 How to Treat the Interior Acoustics 54 Monitoring 55 Other Tips 55 The Record Plant Truck 56 Construction 56 Areas in the Truck 56 Control Room Equipment 56 Machine Room Equipment 57 Electrical System 57 The Effanel Recording Truck 57 Equipment List 57 Comments 59 References 60 Recording from the PA Mixer Aux Outputs 16 Feed the PA Mixer Insert Sends to a Modular Digital Multitrack 17 Connections 17 Monitor Mix 19 Setting Levels 19 Feed the PA Mixer Direct Outs or Insert Jacks to a Recording Mixer 20 Splitting the Microphones 21 Splitters in Use 22 Multitrack Recording in a Truck 23īefore the Session: Planning 25 Preproduction Meeting 25 Site Survey 26 Mic List 27 Track Sheet 28 Block Diagram 28 Equipment List 29 Preparing for Easier Setup 30 Put It on Wheels 30 Mic Mounts 31 Snakes and Cables 31 Rack Wiring 32 Other Tips 33Īt the Session: Setup and Recording 35 Power and Grounding Practice 35 Power Distribution System 35 Power Source 36 Interconnecting Multiple Sound Systems 37 Connections 38 Running Cables 39 Recording-Console Setup 39 Mic Techniques 40 Electric Guitar Grounding 41 Audience Microphones 42 Setting Levels and Submixes 43 Recording 44 Teardown 44Īfter the Session: Mixing and Editing 45 Overdubs 45 Mixdown 45 Mixing for Surround Sound 46 Editing a Gig Demo Tape 47 Copy Your DAT to Your Hard Disk 48 Define Songs 48 Create a Playlist 50 Add Fades and EQ 50 Editing a Full-Length Gig Tape 51 Recording Techniques from Simple to Complex 11 Two Mics out Front 11 Equipment 12 Mic Placement for a Band Using a PA System 12 Mic Placement for a Band Not Using a PA System 12 Recording 13 Recording from the PA Mixer 14 Drawbacks 15 Taping with a Four-Tracker 15 TABLE OF CONTENTS Preface xvii Acknowledgments xxi Trademarks xxiiiĮquipment for Remote Recording of Popular Music 3 The Recording Chain 3 Microphones 4 Mic Technique Basics 6 Multitrack Recorders 6 Mixing Console 7 Console Connections 8 More on Insert Jacks 9 Assign Buttons 9 This book is fondly dedicated to the memory of Mom, Dad, and Tom Lininger. For information, please contact: Manager of Special Sales Butterworth–Heinemann 225 Wildwood Avenue Woburn, MA 01801-2041 Tel: 78 Fax: 78 For information on all Focal Press publications available, contact our World Wide Web home page at: 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America The publisher offers special discounts on bulk orders of this book.
TK7881.6.B366 1999 621.389’32-dc21 99-10574 CIP British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. Magnetic recorders and recording-Handbooks, manuals, etc. Includes bibliographical references and index. On-location recording techniques / Bruce Bartlett with Jenny Bartlett. Library of Congress Cataloging-in-Publication Data Bartlett, Bruce. Butterworth–Heinemann supports the efforts of American Forests and the Global ReLeaf program in its campaign for the betterment of trees, forests, and our environment.
Recognizing the importance of preserving what has been written, Butterworth–Heinemann prints its books on acid-free paper whenever possible. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Copyright © 1999 by Butterworth–Heinemann A member of the Reed Elsevier group All rights reserved.
On-Location Recording Techniques Bruce Bartlett withįocal Press is an imprint of Butterworth–Heinemann.
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